Glaeser’s Triumph of the City giveawayPosted: July 10, 2011 Filed under: Books | Tags: Edward L Glaeser, Pan Macmillan, The Atlantic, Triumph of the City 1 Comment
Courtesy of Pan Macmillan Australia, I have two copies of the newly released book by Edward Glaeser, Triumph of the City, to give away to readers.
This is not really a competition, it’s more of a giveaway. To enter, all you do is nominate your favourite Melbourne building, but the winners will be selected randomly.
Go to this page to enter or see PAGES menu in the side pane (don’t use this page to enter, although comments about the book are welcome here)
Edward Glaeser is a professor at Harvard and is the world’s “go to” man for research on cities. I’ve mentioned his work many times before on these pages (e.g. see here). This brief video shows him discussing Triumph of the City with The Daily Show’s John Stewart.
I read the US edition of Triumph of the City a few months ago and it’s a book worth reading and worth having. As the New York Times Reviewer wrote, you’ll “walk away dazzled by the greatness of cities and fascinated by this writer’s nimble mind”.
Here’s a “sample chapter” (it’s an adaptation but pretty close to what’s in the book) that Professor Glaeser published in the Atlantic:
IN THE BOOK of Genesis, the builders of Babel declared, “Come, let us build us a city and a tower with its top in the heavens. And let us make a name for ourselves, lest we be scattered upon the face of the whole earth.” These early developers correctly understood that cities could connect humanity. But God punished them for monumentalizing terrestrial, rather than celestial, glory. For more than 2,000 years, Western city builders took this story’s warning to heart, and the tallest structures they erected were typically church spires. In the late Middle Ages, the wool-making center of Bruges became one of the first places where a secular structure, a 354-foot belfry built to celebrate cloth-making, towered over nearby churches. But elsewhere another four or five centuries passed before secular structures surpassed religious ones. With its 281-foot spire, Trinity Church was the tallest building in New York City until 1890. Perhaps that year, when Trinity’s spire was eclipsed by a skyscraper built to house Joseph Pulitzer’s New York World, should be seen as the true start of the irreligious 20th century. At almost the same time, Paris celebrated its growing wealth by erecting the 1,000-foot Eiffel Tower, which was 700 feet taller than the Cathedral of Notre-Dame.
Since that tower in Babel, height has been seen both as a symbol of power and as a way to provide more space on a fixed amount of land. The belfry of Trinity Church and Gustave Eiffel’s tower did not provide usable space. They were massive monuments to God and to French engineering, respectively. Pulitzer’s World Building was certainly a monument to Pulitzer, but it was also a relatively practical means of getting his growing news operation into a single building.
For centuries, ever taller buildings have made it possible to cram more and more people onto an acre of land. Yet until the 19th century, the move upward was a moderate evolution, in which two-story buildings were gradually replaced by four- and six-story buildings. Until the 19th century, heights were restricted by the cost of building and the limits on our desire to climb stairs. Church spires and belfry towers could pierce the heavens, but only because they were narrow and few people other than the occasional bell-ringer had to climb them. Tall buildings became possible in the 19th century, when American innovators solved the twin problems of safely moving people up and down and creating tall buildings without enormously thick lower walls. Read the rest of this entry »